The Kitchen Table is a large-scale multi-media installation, built as an offshoot of my previous installation: The Bathroom (2008). My thesis researches the silenced queer identities in the worlds of art, history, and academia, specifically the silenced queer artist identities of the Modern Art Movement.
I was awarded the 2016 Nagel Thesis Grant for this installation. I also won Best in Show.
The instillation is meant to create the same dysphoric environment that the queer community exists in within a society that is not designed or inclusive of them.
The research paper reveals the silenced queer identities of leading avant-garde artists and designers while posing the question: Had these identities been more prominent, would the world be more accepting to the queer community specifically in designed documents (both popular culture & legal)? By embracing the aesthetic of the Dada movement, I created an environment that helps simulate the dysphonia queer bodies feel in a heteronormative society.
Under the creative direction of William Logan, I was assigned the task of creating a large-scale installation that would be the centerpiece of Denver’s first design week.
I started with a reference image and the Gitter Dome site map provided by William Logan. With these tools I began to design.
I fabricated the installation with limited time. I had to keep in mind our biggest constraint, the budget. The installation reached an audience of more the 1400 attendees at this sold out the event.
Tarragon & Thyme is my personal small business.
It is a personal chef business with the demographic of busy wealthy single parents and health conscious individuals. Simply by applying a brand and logo to my small business I was able to grow my personal clientele and secure my first largecatering event.I simply put my logo on a proposal budgetand
secured my first catering event. I was able to beat out two local catering business my first catered event.
In June of 2015, I was asked to be the Creative Director at MSU Denver’s Art and Literary magazine, Metrosphere. As creative director I brought the Metrophere to the next dimension by building a website fully coded wesite to showcase narrative time based works. This increased our audience nationally. I worked with a very talented staff, and the 2015/2016 Metrosphere won a Mark of Excellence Award as well as a nomination for the SRJA Pacemaker for best student magazine. Additionally, I have won three individual awards for submission campaigns and advertisements.
Volume 34 ISSUE 1
Volume 34 ISSUE 2 Interactive web base
Volume 34 ISSUE 3
The Back to Basics posters is a collection of illustrative posters created for MSU Denver’s Art and Literary magazine, Metrosphere’s 2015-16 submission campaign. The campaign also was a part of a project to use symbols to create an identity for Metrosphere. The posters became so popular on campus that they were stolen from the walls of the art
building within a few hours of hanging them. The different illustrations represented the twelve different creative disciplines at MSU Denver. The poster campaign also became very successful nationally, and I washonored with a PACE Maker award from the Associated Collegiate Press, an organization that recognizes the best individuals in collegiate journalism. I recieved a PACE Maker for best in-house ad campaign, for the Back to Basics posters series.
Respect the Cunt, The Bathroom was a large scale installation done in 2008. Its the perspective of what the bathroom see's. The ideas was to allow the viewers to all connect in a common area, the bathroom.
I was honored by having the opportunity to be the creative director at the Zeromile. The Zeromile is collaborative class at MSU Denver where students work together to design and publish a full magazine, called Zeromile. As Creative Director for the magazine I was able to design and direct a very talented group of students into creating one of the Zeromile's controversial issues.
This is a sample of the magazine and a photoshoot I directed. The idea was to create tension with contrast, shadows, and unconventional poses. The images were used as the cover images, divider pages and marketing material for the release party.
This show is a new medium for me. As an installation artist this show has challenged me to conceptualize on a smaller and non 3D scale. The photos are related to places I have been, and moments I have captured. Each piece is a statement to our current political climate — this show is a visual interpretation and reaction as an Artist and Activist. I believe that in dark times artist and musicians play a crucial role in the lives of people. Art gives the viewer something to think about.
As an artist, I feel it is most important to create work that makes the viewer think, rather than making beautiful things. This collection is a special variety show, mostly processing how our democracy has failed us and my reaction to a Country that is truly heading into a dark age. Perhaps in a way this show is a call to action, asking others to, use their voice or their abilities to do something.